While this might sound like just a fandom post for Taylor Swift, it’s not.
It’s a remark about how social media sways public opinion and how the patriarchy is still alive and well in American and western society today.
If you’re not listening to Taylor, you cannot objectively claim a lack of talent. You cannot objectively claim she’s overrated. And you definitely cannot claim to not like her “genre” (unless you listen solely to things like death metal or trap).
Taylor has recorded 10 studio albums in 17 years. She has fluidly moved between country, pop, rock, synth, hip-hop, folk, alternative, and indie genres.
She has written or co-written 243 songs, some in collaboration with or even for such names as Little Big Town, Miley Cyrus, Sugarland, The Civil Wars, and Andrew Lloyd Webber.
In her 200 million records sold, Taylor has won 324 awards, including 12 Grammys, 23 MTV Video Music Awards, 40 American Music Awards, 40 Billboard Music Awards, 12 Country Music Awards, and an Emmy.
She is the most-awarded artist of all time at the AMAs and BMAs, and she ties with Frank Sinatra, Stevie Wonder, and Paul Simon for most Album of the Year Grammys.
Swift was “the most streamed artist of 2023 on Spotify, Apple Music, and Amazon Music; the first act to place number one on the year-end Billboard top artists list in three different decades (2009, 2015, and 2023); and the first living artist to simultaneously chart five albums in the top 10 of the Billboard 200.”
Rolling Stone described Taylor as “a songwriting savant with an intuitive gift for verse-chorus-bridge architecture,” and scholars and critics have compared her to literary figures such as Shakespeare, Emily Dickinson, and John Keats, as well as to modern songwriters such as Bob Dylan and Paul McCartney.
Over 20 universities include a Taylor Swift course in their catalog, including Harvard, Mizzou, Berkeley, Stanford, and Brigham Young.
Taylor has acted in five movies, headlined six tours, and can play guitar and piano. She has developed, written, and directed several of her own music videos.
She has influenced the music business by revitalising vinyl records, championing artists’ rights on streaming services, and changing the way label contracts are written. Her journey to take back her intellectual property by re-recording her first six albums is one of the best business and personal decisions any artist has made regarding rights.
She’s more than just a talented performer and savvy businesswoman. She is also very human and fights for things she believes in. Taylor speaks up for the rights of women, LGBTQ people, and artists.
She has donated millions to charitable relief and philanthropic efforts, as well as to the arts. She generously gave millions of dollars in bonuses to her Eras Tour team.
She was sexually assaulted by a DJ in Colorado, and she reported it. The DJ was terminated and sued Taylor for $3 million in damages, so she counter-sued for a symbolic $1 and spent over two years in a legal battle that ended in a jury deciding in her favour. Since then, Taylor has been even more active in fighting for the rights of women to be heard.
She genuinely enjoys her fans and has fun leaving clues and hints in her music to keep her fans engaged and like they’re part of the story. She always seems sincerely delighted to be doing what she’s doing.
Her 17 years in the industry have proven her talent. It shows that she’s earned every fan she has and every dollar she’s made. (And if you think she’s only country-pop, then you need to spend a day with Folklore or Evermore.)
If you have a negative reaction towards her as a person, it’s because our society still goes after successful women in a way that men avoid. The media turns on celebrities, especially women, who dare to do things like countersue a sexual assault case, speak against corrupt politicians, or not laugh at misogyny.
I will never apologise for being enchanted by this one. She is a poet, and she’s possibly the most self-aware artist I’ve ever heard speak. 
Megan K Hall
